aesmael: (pangoself)

[editor's note: this was written in February 2019]

Surprised how long this took me to reread, although I did keep getting distracted – 20 minutes here and there a few times a week isn’t really that much. Despite this, and in keeping with my first read, it all felt very fast and over quite soon.

I liked that, especially early on, Leia was recognised as being a capable Jedi in her own right and that she continued to learn and develop her powers throughout the story. Particularly that she played a key role in helping to shake Luke out of the dark side and the twins’ cooperation being shown as necessary to break free of evil and defeat the emperor. This made a much stronger presentation of the idea that working together is the key to overcoming evil, and that trying to take on that burden alone is opening yourself to needless suffering that you may not be able to overcome without help.

I liked a lot less that aside from this Leia is treated largely as being important just as the vehicle by which more Jedi will be birthed and that the primary objective of the emperor through this story is to possess the body of her initially unborn son as a replacement for own failing line of clones, which had been damaged by drawing on the dark side of the force. So, while I appreciate that unlike most of the stories which follow on from Return of the Jedi, Leia gets to embrace the force and develop her capabilities with it, I also resent that despite this she is mainly recognised by both allies and enemies as the mother of powerful jedi to come.

Perhaps I’m being too harsh. Parenting is certainly important, and I would like to see more stories which include characters who are parents, or families, but I do get the feeling that Leia is treated as either a person or a mother and not both at once. Excusable on the part of a villain who sees people as only either enemies or instruments of his will. Less so for allies who supposedly oppose evil.

aesmael: (writing things down)
[these notes date to November 2014]

1. Dark Empire

Lines like this one:

“They're headin' straight for the Imperial City where the Emperor himself used to hang his hat – when he was alive!”

are pretty clunky, and it does not make much sense for a character to be saying this unless it will turn out the Emperor is not in fact as dead as believed.

Leia Organa, wife of Han Solo, already a mother of two, is above all things, a jedi warrior.

It would be nice if the rest of the story remembered this early statement. I do like Leia getting to call upon the force several times early on in this story to accomplish stuff like acting as gunner on the Millennium Falcon. Although, she did not get to deal with the scavengers' attack dog-things (neks) despite preparing to so I suppose we missed out there. Thanks Luke, ya big showoff.

A weird thing about this comic is the way it has solid blocks of colour schemes. A few pages through some red filter, and then yellow-green on later pages and so forth, as if any single page can only have a strictly limited palette. Ami assures me this is not typical for comics.

Very striking visual of Luke being sucked up into the force storm along with R2-D2 and all the junk from the planet's surface.

The planet they were on at the start of the story is not named so far as I can tell, except as “the imperial planet”. It is only identified as Coruscant in the introductory text prefacing Dark Empire; I was rather surprised by how much the appearance of Coruscant differs from what I had been accustomed to. Also shock that the New Republic managed to lose control of Coruscant and this does not seem to have been regarded as a big deal despite there being novels set prior to this in which they are comfortably ensconced on Coruscant as their seat of government. Suspect some of this is due to Zahn refusing to let Dark Empire be set before the Thrawn trilogy (by refusing to reference this story) and it consequently having to be moved later in the timeline, but doubt that could explain it all.



aesmael: (tricicat)
Dear diary,

I don't know what to write about today, so perhaps I shouldn't. But I can say these things: Today I read two comic books in their entirety, and as much as those are very light and swift reading, it's taken me multiple days to read the last few I've read, in moments snatched on lunch breaks and while waiting for things to happen, so it feels simultaneously relieving and disappointing to open up a book for the first time and have it evaporate so swiftly. I typed up a few pages of notes from a notebook that I'd written several years previously and never quite managed the intention and will to transfer to a digital form. And despite canned pumpkin apparently not existing in this country (still not shocked - I'd never encountered it in the wild before a recipe asked for it) I managed to find out how to process a raw pumpkin into similar form at home and transformed it into - if I do say so myself - a pretty tasty pumpkin and coconut cream soup. Some of the thyme got burned and I would have benefited by collecting that first batch of little bits into a bowl to dump into the pot together, but that's only a question of improvement. What I made was good already.
aesmael: (friendly)
[editor's note: this was written last night but not published until today on account of getting caught up writing about the below-mentioned comics]

Probably I've got to spend less time writing these so I can be doing anything else instead. Actually making, typing fictiony things?

Maybe I need a passion to create. Maybe that's what I'm feeling and it isn't really inertia pushing me to story without intent or desire.

Maybe what I need is to actually go and do and make more again. Is that something I can do? We can give it a try.

Proceeding sequentially, as is our wont, attempting to finish writing down my thoughts and feelings on Batgirl/Robin Year One before moving on to Power Girl: Power Trip. I can't decide if this insistence is sensible or harmful to my goals, to write these before focusing on making my own stories. I want to get that done and take stock and move onward.

Listening, while I type, to the two-disc Neotokyo album published by 0edit on Bandcamp.
aesmael: (nervous)
Looks like all the bad things waited to pile up today.

Got up early, or rather, did not sleep in, to get my car serviced. Difficult to stay unconscious all the way to my alarm as the cat my sister and her boyfriend adopted and then abandoned here this month is not a fan of folk sleeping past 05:00 when they could be feeding her. I ended up waiting in their office for three hours instead of taking a shuttle (no Christmas shopping as such to do - all I wanted was groceries, which did not seem likely to keep until the car was ready). pet's being sick so lots of worry and wanting to comfort, although we're sure it is short-duration. Doesn't make it any more fun.

Finished reading Power Girl: Power Trip pretty quickly (so ought to write down my thoughts on that while they're still fresh). Listened to part of spotify's 'composer weekly' on Julia Wolfe, noting down some works to explore later ("Dark Full Ride" and "Into the Clouds" stood out so far), and reading some of the GameMastery Guide.

Found out a friend is getting abruptly booted out of home by their long-term partner so lots of sympathetic distress and concern. And, too far away to be much of any help either. Fortunately there are others who can but still, lots worry. I don't think this will end in homelessness but it's still going to be extremely life-destructive, not even counting the emotional devastation.

Until I got back in the car I wasn't sure whether I would go directly home or get groceries first. Groceries proved to be a mistake, much later, when I got home and discovered the lid had been knocked loose on my water bottle and leaked through my bag. All seemed fine except the Power Girl comic I borrowed from work. I've done my best to dry it out while hiding from a hostile family aura for not letting in their dog when a storm suddenly arose and then disappeared. I worry I wasn't quick or thorough enough - shouldn't be hiding.

Things are not good.
aesmael: (pangoself)
Dear diary,

With the impending collapse of tumblr it seems to me I should write to you more often. Not, that is, that I have been writing so very much there that I feel a need to displace that writing elsewhere. Tumblr's reblog system leaves me rather too worried of losing control of my words and their being passed around to assorted strangers who will eventually find me failing some hidden standard and so bend all their will and energy to destroy me. It's an irrational fear since the same could happen no matter where I speak if I let my words be seen. But it is a large part of why I do not speak on that platform and stick instead to reblogging what I find cute or funny or think another would enjoy encountering.

This isn't exactly true either. I write to you at intervals but can never quite capture a day within the day, and then next day that has become the past, unimportant, and we skip the stage of anything like publication. Maybe a fifth? I can't remember and don't care to check.

Today featured a big trip across town to get a new oestrogen implant put in, plus prescriptions. I picked something up for the library's secret santa next week. Later, having breakfast at a café and reading Batgirl/Robin Year One, had a little conversation with the person waiting my table and managed to get some poetry recs out of em.

The names:

- R. H. Sin
- Michael Faudet
- Lang Leav
- Rupi Kaur
- Robert M. Drake

Been thinking, recently, again, of exploring some poetry. Likely to take a while. There are still several books to read in my current exploration of comics.

In the material world I'm pleased to say that this year I've managed to pass my classes for this year. Combine those with next year's enrolments and I'll finally be done with what I failed in 2016. Hate to admit that.

In gaming terms the Fatefinder Society has been going well. Lots of fun deviations from and elaborations on the scenarios. Looking forward to where we go in the next few sessions which I'm hoping will get to actually advance some character stories. Not everyone has a backstory I can readily find a forward direction for, but it's fun keeping those in mind and looking for opportunities to tie in with each scenario we play.

Unfortunately the Rise of the Runelords game I was so excited about running last year looks like it won't be happening, thanks to our old friend non-participation. I know that's the typical fate of role-playing games but still disappointing. Maybe I could recruit some other people to play instead.

For the moment, however, my main excitements are to try and write some adventures of my own. Especially the Star Wars sequel game that I've been considering for a few years, using Starfinder as the system, but also enjoying trying to find a circumstance inspired by each creature in the Pathfinder bestiaries and exploring where those ideas take me.
aesmael: (it would have been a scale model)
Made some progress today. Finished, I think, writing up my thoughts on those three volumes of Batgirl, and maybe someday they'll even get posted! So now I can finally give those back to the library and perhaps tomorrow I shall start reading the volumes of Valerian and Laureline I borrowed from work. Don't look forward to hearing about that soon either. But someday, if wishes and dreams come true.

Just imagine what I could get done if I stayed focused and avoided the siren lure of social media and adjacent time-sinks, eh? Of course if I could manage to not turn absolutely every thing I do into work and a project then we wouldn't be stressing about this but, then, what would we aspire to do with this time?

Perpetual resolution: time should not be blank?

Actually tomorrow will likely involve a walk down to the pharmacy. Keep forgetting to refill the inhaler prescription and especially tonight has involved a lot of coughing and spluttering which would be very kind if it proved to be coincidence.

Just went back over my diary entries from the past year to add tags. That was a big heap of depressing to hit me in the face. Tears now. Don't know what's the point in my being alive still. Ruined everything. Alone and going to stay that way. There isn't really anything to live for any more, if there ever was. Just got to keep distracted so we don't think about it or feel.
aesmael: (probably quantum)
Today was perhaps a good day, although not what I anticipated. I ended up spending about three hours playing games in multiplayer which I had not planned. First, a while playing Alien Swarm again with Ami and Grace, the latter of whom I have rather missed (I do not miss Ami because I have daily contact with her still, which is good). That started out as a test effort to get a three-player game of Secret of Mana going, but this seems to be an unattainable goal. Instead, we defaulted to freely available space marine squad shooting up swarms of aggressive alien bug-things.

It was wonderful to get to hang out and laugh and have fun with friends again. I missed it a lot and hope I will be able to make more time in my life for this, that more opportunities for repeating the experience will be available.

Later, since we can't get a third player, Ami and I started our Secret of Mana game over again with the new circumstances in mind. Also fun times, and conveniently allowing me to see how the plot began instead of joining it partway through like I had last time (there was not much plot).

In betweentimes I worked some more on the database of books and stories I have read that I have been building for ill-defined and scarcely considered reasons. But at least I am potentially learning new skills in the process.

Yesterday was also not what I expected. I woke in the morning to find Avast had reported a virus in its scanning and recommended a further scan at boot. I let it go ahead with that, forgetting how long those take, and was consequently without my computer for 7 hours. This meant conversations had to be carried out via the far less comfortable medium of my phone. I ended up planning out some meals for - hopefully - the next week, and also started rereading through Berserk to pass the time. Currently am at Volume 3 and aim to stop there for a while. I'm aiming to be a bit more flexible in my reading in the future, but that is not something I can dive right into, and I have "things to do" meanwhile.

Losing such a chunk of November first also put a damper on any aspirations I may have had to participate in NaNoWriMo, although I'd not entertained any idea of actually attaining 50,000 words anyway. I still might try and manage a burst of writing, which I'd like to do regardless of the month.
aesmael: (sudden sailor)

Usagi Yojimbo Book 5: Lone Goat and Kid: 5. Lone Goat and Kid by Stan Sakai

Originally published September 1990 in Usagi Yojimbo Volume 1, Issue 24; this edition August 1992, July, 2008 printing

Publisher: Fantagraphics Books

 

M

Not recommended for persons under 15 years of age, but no legal restrictions

(V)

Violence {M}

 

Representations

Gender:

No female characters present.

Sex:

Only relationship depicted is father-son.

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

None noticed.

 

Awards

None found

 

Notes

This title story for the collection is quite unabashedly playing off the manga classic Lone Wolf and Cub.

Highest rating for the book and thus overall rating: M.

aesmael: (tricicat)

Usagi Yojimbo Book 5: Lone Goat and Kid: 4. The Way of the Samurai by Stan Sakai

Originally published July 1990 in Usagi Yojimbo Volume 1, Issue 23; this edition August 1992, July, 2008 printing

Publisher: Fantagraphics Books

 

PG

Parental Guidance recommended for audiences under 15 years of age

(V, H)

 

Some violence {PG}

Some supernatural references {unweighted}

 

Representations

Gender:

Significant and speaking characters all male, women present in background only.

Sex:

No presence.

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

A character is terminally ill, seeks honourable death by blade rather than face disability before death.

Awards

None found

Notes

Many of the stories in this volume have been varying degrees of bittersweet, concerning death and satisfaction in life, and this is one of them. Leads into and sets up the next story.

aesmael: (haircut)

Usagi Yojimbo Book 5: Lone Goat and Kid: 3. Blood Wings by Stan Sakai

Originally published April 1990 in Usagi Yojimbo Volume 1, Issue 21 and June 1990 in Usagi Yojimbo Volume 1, Issue 22; this edition August 1992, July, 2008 printing

Publisher: Fantagraphics Books

 

M

Not recommended for persons under 15 years of age, but no legal restrictions

(V, L)

Violence {M}

Minor Coarse Language {G}

 

Representations

Gender:

Significant characters male, women in the village in background or to-be-protected roles.

Sex:

Only implicit in the existence of children.

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

None noticed.

Awards

None found

Notes

At some point prior to this story I realised the signifier of character death is a thought bubble showing the skull and crossbones, but I hadn't remarked on the convention until seeing it here reminded me.

Continuity story, referencing events from the extended plot-line in the collection prior to this, which I could not get hold of.

Since the menace of the story is bat ninjas, there must be Batman references. "Man, what a dark night!" and a few panels later "Holy flying furball! It's bats, man!" (the latter of which is why I marked for G-rated coarse language).

aesmael: (writing things down)

Usagi Yojimbo Book 5: Lone Goat and Kid: 2. A Kite Story by Stan Sakai

Originally published February 1990 in Usagi Yojimbo Volume 1, Issue 20; this edition August 1992, July, 2008 printing

Publisher: Fantagraphics Books

 

PG

 Parental Guidance recommended for audiences under 15 years of age

(V)

Some violence {G}

 

Representations

Gender:

All characters male.

Sex:

No relationships or sex depicted.

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

None noticed.

Awards

None found.

Notes

I want to say this story was simpler than the last one, but plot-wise it is not a lot simpler. If it is simpler, it is simpler emotionally, with a kite-maker's ambition to make the best kite he can temporarily thwarted by a rampaging mob.

aesmael: (tricicat)

Usagi Yojimbo Book 5: Lone Goat and Kid: 1. Frost & Fire by Stan Sakai

Originally published December 1989 in Usagi Yojimbo Volume 1, Issue 19; this edition August 1992, July, 2008 printing

Publisher: Fantagraphics Books

 

M

Not recommended for persons under 15 years of age, but no legal restrictions

(D, V)

Mild drug use {PG} {tea, alcohol}

Violence {M}

 

Representations

Gender:

Only two female characters, depicted in tension with each other - loveless, honour-bound wife vs passionate peasant lover.

Sex:

Heterosexual relationships only, a marriage and the passionate violation of same.

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

'Crazy' as insult.

Awards

None found

Notes

Tragic story. Loveless marriage. Inadvertent sibling murder. Shiftless, grasping villain whose greed destroys all those around him and then himself.

aesmael: (haircut)

Usagi Yojimbo Book 3: The Wanderer's Road: Epilogue: Turtle Soup and Rabbit Stew by Stan Sakai

Originally published 1987 in Turtle Soup; this edition August 2010

Fantagraphics Books

 

G

Suitable for all audiences

(V)

Some violence {G)

 

Representations

Gender:

Only male characters.

Sex:

No presence

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting. Or Teenage Mutant Ninja Turtles.

Disability, Physical Diversity and Health:

No presence noted.

Awards

None found

Notes

Just a brief and silly crossover story in which Usagi and Leonardo of the Teenage Mutant Ninja Turtles nearly fight each other. Continuity-free.

Highest rating for the book and thus overall rating: M.

aesmael: (haircut)

Usagi Yojimbo Book 3: The Wanderer's Road: 6. The Shogun's Gift by Stan Sakai

Originally published October 1988 Fantagraphics Books in Usagi Yojimbo Vol. 1 Issue 12; this edition August 2010

Fantagraphics Books

 

PG

Parental Guidance recommended for audiences under 15 years of age

(V)

Some violence {PG)

 

Representations

Gender:

The return of Tomoe as a prominent character, female samurai from a multi-part plot in the first book. Women in background shots around town, a married couple woodcutter team.

Sex:

A pair of woodcutters are husband and wife.

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

No presence noted.

Awards

None found

Notes

Villainous plot thwarted by good fortune of the heroes compounded by cunning. Feels almost as if it were two separate stories on the same events, with how the two main good characters - Usagi and Tomoe - only meet briefly and once. Setting up for future events, feels like. Or maybe just the on-going feud between Lords Hikiji and Noriyuki.

aesmael: (haircut)

Usagi Yojimbo Book 3: The Wanderer's Road: 5. The Tea Cup by Stan Sakai

Originally published September 1987?* Fantagraphics Books in Usagi Yojimbo Vol. 1 Issue 11; this edition August 2010

Fantagraphics Books 

{*I think the 1987 on these two issues is an error. it goes back to 1988 for the next issue}

PG

Parental Guidance recommended for audiences under 15 years of age

(V, D, T)

Violence {G)

Drug Use (PG) {Tea! Also sake}

Themes (G) {Poverty}

 

Representations

Gender:

There is a girl child in this episode with a small speaking role, and reference made to a female samurai from a plot arc in the first book. Women in the background in town, and an innkeeper's wife is referred to.

Sex:

A heterosexual marriage referred to.

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

No presence noted.

Awards

None found 

Notes

Usagi meets up with bounty hunter and friend-of-sorts Gen, who showed up in two stories in the first book. Recurring theme of Gen being on a mission, soliciting Usagi's assistance, but then also tricking him about the precise nature of that assistance. The pattern concludes with the two sharing food and sake at an inn; in the first case Gen sticks Usagi with the bill, in the second Usagi turns the tables, and this time they simultaneously leave each other with the bill. So presumably that pattern is ended if they meet up again.

We also get to learn a bit of Gen's backstory, which seems to involve some tragic poverty, but overall the story feels like a return to light-hearted action adventure.

P.S. Seems to be a tendency for catfolk to show up as villains or minions to villains.

aesmael: (haircut)

Usagi Yojimbo Book 3: The Wanderer's Road: 4. Blade of the Gods by Stan Sakai

Originally published July 1988?* Fantagraphics Books in Usagi Yojimbo Vol. 1 Issue 10; this edition August 2010

Fantagraphics Books

 

{*official website says July 1987, but that would be a year prior to the preceding issues, although if 1987 that would put it in the same month as the previous issue too.}

 

PG

Parental Guidance recommended for audiences under 15 years of age

(V, H)

Violence (PG)

Supernatural Themes (no weight)

 

Representations

Gender:

Only male characters present.

Sex:

No presence

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

Villain of this episode regarded as mad by others.

Awards

None found

Notes

Usagi seeks shelter from a storm with Jei, who turns out to believe he is chosen by the gods to execute the evil - and who seems to conclude sooner or later that all who cross his path are evil. The resolution is ambiguous. Mostly a fight episode but I believe there are to be long-term repercussions; it is left uncertain whether Jei is indeed supernaturally guided or protected.

aesmael: (haircut)

Usagi Yojimbo Book 3: The Wanderer's Road: 3. Return of the Blind Swordspig by Stan Sakai

Originally published July 1988 Fantagraphics Books in Usagi Yojimbo Vol. 1 Issue 9; this edition August 2010

Fantagraphics Books

 

PG

Parental Guidance recommended for audiences under 15 years of age

(V, D)

Violence {PG)

Drug Use (G) {Tea}

 

Representations

Gender:

Only male characters, and a tokagé (Spot) of unknown gender.

Sex:

No presence.

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

Zato-Ino is blind, but has developed a disability superpower in his sense of smell to compensate. He even has an entry on TVTropes' Blind Weapon Master page. Also thanks to his previous encounter with Usagi, his preternatural sense of smell is provided by a wooden prosthetic nose. 

Awards

None found 

Notes

This one is a bit more continuity-heavy than the previous two, referencing not only Spot's origin story in The Tower, but also featuring the reappearance of Zato-Ino and his one-sided grudge against Usagi. Fortunately I read his first appearance in Book 1, but there is a small recap in this story for those that don't know it. 

Found this story a bit sad, both through Zato-Ino's lonely-surly characterisation and insistence on hostility toward Usagi, and because this is the last story in which Usagi and Spot journey together.

Zato-Ino is almost certainly based on that other blind masseuse swordsman character, Zatoichi.

aesmael: (haircut)

Usagi Yojimbo Book 3: The Wanderer's Road: 2. A Mother's Love by Stan Sakai

Originally published May 1988 Fantagraphics Books in Usagi Yojimbo Vol. 1 Issue 8; this edition August 2010

Fantagraphics Books

 

M

Not recommended for persons under 15 years of age, but no legal restrictions

(V, T, D)

Violence {M)

Themes (M) {Corruption; Domestic Violence, Murder}

Drug Use (G) {Tea}

Representations

Gender:

Major guest character is an old woman; story focuses on relationship between her and her son.

Sex:

Heterosexual marriage-relationships / descent indicated, only.

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

Infirmity due to age. 

Awards

None found

Notes

This was... a lot darker than the previous story. Our itinerant protagonist (along with Spot) gets caught up in an intrigue of corruption that ends with kinslaying and a character begging to be executed.

aesmael: (haircut)
Usagi Yojimbo Book 3: The Wanderer's Road: 1. The Tower by Stan Sakai

Originally published March 1988 Fantagraphics Books in Usagi Yojimbo Vol. 1 Issue 7; this edition August 2010

Fantagraphics Books

G

Suitable for all audiences

(V, D)

Some violence (G)

Drug Use (G) {an attempt to drink some tea}

Representations

Gender:

Only male characters with speaking roles. Think I saw some women in the crowd.

Sex:

No presence

Race & Ethnicity:

Characters are all anthropomorphic animals in a culturally Japanese (Edo period) setting.

Disability, Physical Diversity and Health:

No presence noted.

Awards

None found

Notes

In this episode, our ronin rabbit hero, Miyamoto Usagi rescues a hungry tokagé that is being bullied by an unnamed restaurant owner for stealing food. According to the author's notes, tokagé is a Japanese word for lizard; they seem to be little dog-sized sauropods that are the main non-person animals I've seen in this setting so far.

Even though this is mainly marked and regarded as a children's series, I have been finding them fun and quick enough to want to keep reading what volumes I can source from libraries. I read the first collection a few months ago, and was unable to get hold of Book 2, so this Book 3 is the second one I have been able to read.

In this particular story it seems the restaurant owner's lack of charity and growing anger at being thwarted that bring his misfortune upon himself. At the end Usagi leaves in the company of the tokagé he has named Spot, and I rather liked the idea of him travelling with a trusty animal companion henceforth.

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