Originally published at a denizen's entertainment. You can comment here or there.

[due to slowness of writing, all todays are now yesterdays]

Today was filled with expectations contrary to my expectations. What I expected was a brief morning visit to the offices where my case manager, who handles me so Centrelink doesn't much have to, then to return home and participate in clearing out a dungeon in World of Warcraft, followed by an evening of composing an application for the latest library job I found going.

It was unusually tricky finding a parking space there, but at least I got to hear the end of Margarent Throsby's interview with Dr Peter Bowden, although it was a bit awkwarder than usual - I think he was not prepared to handle digressions from the topic of whistleblowing and ethics.

Contrary to the interactions I'd expected, talking briefly of what I'd been up to job-searchingly and what I planned to be up to, the only topic was that they'd found a possible job I could go interview for and preparing me to do this once I agreed I had some interest. That job was of an inbound call centre sort, handling account inquiries on behalf of a cable television company. I figured I would have to cancel the dungeoning to make that on time, but it turned out to be anyway already cancelled.

Spent a few hours having lunch and researching and getting changed, then set off to drive. That was a bit of a nervous drive, on the motorway, since the car I have use of is 21 years old and rattles a bit when it travels faster than 80 kph. I felt a bit like if I were standing at the top of a ladder and unsure of its steadiness. Rain grew heavier near my busier urban destination, peaking at one of the more stressful driving experiences I've had making the exit onto a quite busy main road.

I ended up mistakenly in a lane too far to the left, one marked 'must turn left', so spent several minutes poking around side streets until finding my way back to the road I needed, pushing 'about ten minutes early' into 'just on time'. Unfortunately the group had already gone in and the staff who met me didn't quite know what was going on, so it was a couple of minutes until I was directed to the right room. Not the last to arrive, either.

Interview was simple enough. Bit of impromptu self-introduction public speaking, a group task, then one on one interviews and we were done. Was annoyed that in the group with other candidates a lot of my communications were ignored until someone else expressed the same thing, although some were taken up with enthusiasm (we were supposed to diagram what customer service is and why it is important), but otherwise I felt I did pretty well. At least, that I did about as well as I was able, and if I don't get the position it won't be for any lack or fault on my part. Which is about all I'm after really.

Driving back I got to diagnose the problem with the motorway in that direction - too many lanes being created and then ended, congesting the drive by forcing repeated traffic integration. Also got another surprise on the radio travelling back when they played the 14th symphony by Sir William Herschel, more famous as the discoverer of Uranus and infrared radiation. Was fun to listen to, too, so now I want to try and collect the music of this famous astronomer. Am sure I must have known he was also a composer, since I read a lot of science history books and they'd be likely to mention such a detail, but I'd completely forgotten it.

Later in the evening my sister contacted me, requesting collection from the station. Despite coordinating activity I arrived some minutes early and spent a tense while watching a cat walk along the track, fearing a train would come along any moment and hoping the cat knew how to keep safe. But it vanished into the darkness long before anything happened, and that is all I know of that cat. A while later I saw behind me some queer green reflection which revealed a train coming from the other way. It stopped briefly, signed prominently as a prototype which no one should board, then departed in high unpleasant screeching. I saw a party of railway workers aboard, presumably testing the user experience, and then not long after my sister arrived to be collected.

The last and least pleasant upturning of expectation came watching again the series 2 finale of Ashes to Ashes and being informed that no, we still do not get to see series 3.

Okay, that's a day, done.

Date: 2010-06-23 17:46 (UTC)From: [personal profile] kiriamaya
kiriamaya: (Default)
Am hoping the job thingy turns out well for you. :)

What in the world is with that motorway design? O.o

Date: 2010-06-23 07:24 (UTC)From: [identity profile] cmcmck.livejournal.com
Sounds like your motorway issues were similar to those with the notorious M25 London orbital motorway here.

Nice to hear of some Herschel being played- Chandos do a 'contemporaries of Mozart' CD series which includes a CD of his work among many other interesting less well known composers of that generation.

Date: 2010-06-23 08:27 (UTC)From: [identity profile] aesmael.livejournal.com
Mm, I've heard bad things about the M25 in fiction, I believe. Don't know if I should be reassured that it sounds similar. >.>

That seems like a pretty nifty CD series. Would probably be all over it if I were local to it. Hadn't remembered quite when he lived, but that makes sense, sounded a bit older than I expected. At first I'd thought he was going for a retro Classical feel in his composition! Makes more sense to have been current. Got my astronomical centuries all mixed up. ^.^;

Date: 2010-06-23 11:52 (UTC)From: [identity profile] cmcmck.livejournal.com
Herschel lived a long life which is what may have confused you. His dates are 1738-1822.

Chandos have world wide distribution and their web site is at www.chandos.net. I think they also do mail order.

The Heschel symphonies album is on the 'contemporaries of Mozart' series and it's serial number is CHAN 10048

Date: 2010-06-23 14:31 (UTC)From: [identity profile] ai-meilian.livejournal.com
I'd completely forgotten than Herschel was a composer. Thanks for the tips on the Chandos series, cmcmck -- I may have to check it out, even though my own musical interests tend to fade after circa 1750.

Date: 2010-06-23 16:41 (UTC)From: [identity profile] cmcmck.livejournal.com
Y're welcome :o)

The 'contemporaries of Mozart' series really is very entertaining.

My own interests tend to be for early and renaissance music with a deep love for Monteverdi, Gesualdo and Tallis and their contemporaries, but I do have a liking for the eighteenth century and for modernism from around Debussy and Ravel up to the present.

Being English, there is also this abiding love affair with Ralph Vaughan Williams :o)

Chiara

Date: 2010-06-24 11:32 (UTC)From: [identity profile] aesmael.livejournal.com
Been feeling a bit similarly lately. At least, I've been finding a lot of 1800s compositions heavier than I'd like and over-orchestrated, and something bugging me about music of the Classical period I've not quite put my finger on yet. Much preferring Baroque or 20th Century compositions at the moment.

Although, I don't know if that is anything like your reasons for preferring pre-1750s music.

Date: 2010-06-24 12:12 (UTC)From: [identity profile] ai-meilian.livejournal.com
For me, I discovered Bach's fugues at an early age (on an Apple ][+ no less!), so I've practically an innate penchant for complex counterpoint. Plus much 'high Baroque' music (1675ish-1740ish) has an intense drive that I find lacking in most newer compositions; you get that of course in some Romantic works, but it impresses me as more bombastic and doesn't seem to hang together as well.

Plus, I do in fact enjoy period performance practice and chamber works -- there's a transparent intimacy both in early playing style and small ensembles I find attractive.

@Chiara: I adore Gesualdo! As well as Josquin and Ockeghem. Though my favorite composer of circa 1600 has to be Gibbons, hands-down. His viol consorts are so rich and lyrical. One example here (incidentally, that's me on treble viol, though I wanted the piece to go faster than it ended up). The 6-part consorts are absolutely mind-blowing, though. Toss me a friends-request if you'd like -- I don't blog much about music these days, but anyone with whom I can talk meaningfully about music of any genre has an instant 'in' with me :)

Date: 2010-06-24 13:37 (UTC)From: [identity profile] cmcmck.livejournal.com
For me it has to be Palestrina, especially the Missa Papa Marcelli as this was playing when I sunk into oblivion on pre med before going down to theatre for GC surgery in 78 when I was 21. I can't listen to any other piece of music in quite the same way :o)

I agree with you on Gibbons although I also like the much less well remembered Peter Phillips (a Catholic recusant who, rather like John Dowland spent his entire career composing and playing in foreign courts as a result).

I've added you to my flist. You'll find my musical tates are pretty catholic, but I'm always happy to talk about them :o)

Date: 2010-06-24 13:39 (UTC)From: [identity profile] cmcmck.livejournal.com
Oh and my blog is f-locked too and for some of the same reasons, I suspect :o)

Date: 2010-06-24 13:31 (UTC)From: [identity profile] cmcmck.livejournal.com
I think the early and renaissance liking stems from the fact that it was being redisovered big time when I as at uni in the seventies. The likes of the late David Monrow, a young James Bowman and such all making wonderful things heppen with music that was unlike any other I'd ever heard. I was bought up largely on Handel, whose music I still love.

Like you, I sometimes find 19th century music heavy and over orchestrated. I have to be in the mood.

Date: 2010-06-23 08:39 (UTC)From: [identity profile] lost-angelwings.livejournal.com
I hope your interview stuff turns out with positive results :)

*gives hopeful hugs*

that sounds like awful freeway design >:O worse than even Toronto's... but the constricting of lanes rly sounds like Toronto freeway design >:| like the DVP/404 which turns 4 lanes into 2 as you head past the Toronto border then into 3 for the rest of it into Toronto >:O it boggles my mind -_-;;; there's an eternal traffic jam there...

but blargh to Australian freeway designers >:O

Date: 2010-06-24 11:22 (UTC)From: [identity profile] aesmael.livejournal.com
It was quite frustrating, especially for how obvious the problem was.

I was also surprised on the journey out there that people were driving below the speed limit - usually people drive faster. Maybe it was because of the rain, but I was glad for it because on my provisional licence I am only allowed to drive 100 kph so this way I didn't have to worry about people behind me getting mad I wasn't driving faster.

Date: 2010-06-23 14:34 (UTC)From: [identity profile] ai-meilian.livejournal.com
Sorry to hear of all the stresses, though it sounds like you handled them fairly well. I'd probably be tied in knots after a day like that!

Hope good things happen from the interview. If nothing else, it's more practice in that process. That's almost never a bad thing.

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