Originally published at a denizen's entertainment. You can comment here or there.

Bonding by Faye Kellerman

Originally published 1989 in Sisters in Crime (ed. Marilyn Wallace), this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

R18+

Legally restricted to audiences 18 years and older

(D, S, L, T)

Frequent Drug Use {R18+}

Sexual References {MA15+}

Frequent Coarse Language {M}

Themes {Crime, Family breakdown}

 

Representations

Gender:

First-person perspective of female protagonist.

Sex:

Primarily heterosexual; protagonist does sex work for kicks, enters relationship with her adoptive father. Strongly implied in prison she forms lesbian relationships for protection.

Race & Ethnicity:

Unmentioned, characters presumed white.

Disability, Physical Diversity and Health:

No mention.

 

Awards

None found

 

Text

There is detection going on, but mostly outside the view of the story. I liked this one despite it being thematically similar to a lot of stories in this collection that I didn't like. Does leave me wondering if there are any stories in this collection that don't involve murder (can think of one very early one actually (Round Trip)).

Originally published at a denizen's entertainment. You can comment here or there.

Junior Jackson's Parable by James Hannah

Originally published 1988 in Desperate Measures (published by Southern Methodist University Press), this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

M

Not recommended for persons under 15 years of age, but no legal restrictions

(L, D, S, T, V)

Frequent Coarse Language {M}

Drug References {M} {Alcohol, tobacco, unspecified pills}

Sexual References {PG}

Themes {Crime, Drug Dependency}

Violence {M}

 

Representations

Gender:

Some women in background, most prominently as protagonist's mother and wife, who seems mainly a passive locus of trouble.

Sex:

Story centred on a heterosexual triangle. Prison rape a danger.

Race & Ethnicity:

Characters presumed white, on basis of protagonist's prejudiced upbringing about 'Arabs, Jews [and] nigras'.

Disability, Physical Diversity and Health:

Protagonist suffered a chronic leg injury as a teen. Protagonist's employer also disabled. Backstory character suffered damage from acid of exploding battery. Protagonist's father disabled by workplace injury; protagonist's mother suffers from arthritis.

 

Awards

None found

 

Text

Dreary and depressing the whole way through. Poor kid gets injured working with cars in his teens, dishonourably discharged from the US navy, his wife does drugs and spends all her time with her convicted murderer ex-boyfriend and, when he goes to kill the guy, chickens out at the last moment and accidentally kills him with a ricochet anyway. Almost walks anyway, until a moment of hope is turned against him.

Originally published at a denizen's entertainment. You can comment here or there.

It's a Hard World by Andrew Vachss

Originally published 1987 (could not identify initial publication), and Born Bad (1994); this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

PG

(D, L)

Drug Use {PG} {Tobacco}

Coarse Language {G}

Themes {M} {Crime}

 

Representations

Gender:

Mostly internal to male protagonist's head, significant characters male, except woman operating desk at airport boarding.

Sex:

A non-event is noted in the implicit context that women might desire to attract the gaze of men. Otherwise irrelevant.

Race & Ethnicity:

Unmentioned; assuming characters white US citizens.

Disability, Physical Diversity and Health:

Appearance-altering plastic surgery off-screen, otherwise unmentioned.

 

Awards

None found

 

Notes

Very short, sharp piece featuring the sacrifice of apparently innocent if obnoxious bystander by the anonymous protagonist.

Originally published at a denizen's entertainment. You can comment here or there.

To Florida by Robert Sampson

Originally published 1987 in {unstated, could not find}; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

MA15+

Considered unsuitable for persons under 15 years of age; legally restricted

(D, H, L, V)

Drug References {PG}

Supernatural References {No weight}

Coarse Language {M}

Violence {MA15+}

Themes {M} {Crime; Family Breakdown}

 

Representations

Gender:

One female character, mostly terrorised into going along with the protagonist.

Sex:

Unreferenced; the two leads may have been in a relationship, but implied at best.

Race & Ethnicity:

One black child passed by as a background detail.

Disability, Physical Diversity and Health:

Protagonist is depicted as abruptly and excessively violent. I think we are supposed to believe he suffers from some sort of mental illness.

 

Awards

None found.

 

Notes

Did not enjoy this story. It is bleak and depressing and disturbingly violent. Like a shadow falling across one's soul.

Originally published at a denizen's entertainment. You can comment here or there.

Deadhead Coming Down by Margaret Maron

Originally published 1978 in Mike Shayne Mystery Magazine; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

PG

Parental Guidance recommended for audiences under 15 years of age

(L, V)

Coarse Language {PG}

Violence {M}

 

Representations

Gender:

Women mentioned in dismissive comparison relative to men.

Sex:

Unmentioned.

Race & Ethnicity:

Unmentioned.

Disability, Physical Diversity and Health:

Unmentioned

 

Awards

None found

 

Notes

Another, very short, serial killer story. Unlike the previous one, 'Graveyard Shift', I didn't much like it. Probably because the motive is boredom and the victims innocent (yet blamed for getting killed, so well-framed is the crime).

Originally published at a denizen's entertainment. You can comment here or there.

Graveyard Shift by James M. Reasoner

Originally published November 1978 in Mike Shayne Mystery Magazine as by M. R. James; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

M

Not recommended for persons under 15 years of age, but no legal restrictions

(D, L, V, T)

Drug References {PG} {alcohol, tobacco}

Coarse Language {PG}

Violence {M}

Themes {crime, death, vengeance}

 

Representations

Gender:

The only specified woman is the protagonist's dead wife.

Sex:

Implicit heterosexuality in references to aforementioned dead wife and to couples buying late night infant supplies.

Race & Ethnicity:

Unmentioned; as usual characters presumed white US citizens.

Disability, Physical Diversity and Health:

Unmentioned.

 

Awards

None found

 

Notes

Very short, sharp tale of undetected, vengeance-driven serial killing.

Originally published at a denizen's entertainment. You can comment here or there.

The Saturday Night Deaths by Michael Kerr

Originally published July 1976 in Mystery Monthly; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

MA15+

Considered unsuitable for persons under 15 years of age; legally restricted

(D, V, T)

Drug References {PG} {alcohol}

Strong Violence {MA15+}

Themes {MA15+} {crime, corruption, suicide, death}

 

Representations

Gender:

Female characters existing in relation to men, but distributed on a continuum of innocence to vice.

Sex:

Heterosexuality only.

Race & Ethnicity:

No mention, US characters presumed to be white.

Disability, Physical Diversity and Health:

Scars as relics of organised criminal violence.

 

Awards

None found

 

Notes

Another non-detective story I liked. Satisfying in a vengeful sort of way, with a strong sense of melancholy in the latter half. I suppose the appeal of the recent set I enjoyed despite not being 'detective stories' is they were still clever, decently executed short fiction. Not merely another bleak tale of human darkness. Interesting for at least one of plot or craft.

Originally published at a denizen's entertainment. You can comment here or there.

The Old Pro by H. A. Derosso

Originally published December 1960 in Manhunt; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

MA15+

Considered unsuitable for persons under 15 years of age; legally restricted

(S, D, V, L)

Mild Sexual Activity {PG}

Drug Use {PG} {alcohol, tobacco}

Violence {MA15+}

Coarse Language {PG}

 

Representations

Gender:

One woman in story, a symbol of what is good in life and worth fighting for.

Sex:

Only a single heterosexual relationship.

Race & Ethnicity:

Unmentioned; characters presumed white US citizens.

Disability, Physical Diversity and Health:

Disfigurement by acid as a threat.

 

Awards

None found. Was adapted as an episode of Alfred Hitchcock Presents.

 

Notes

Despite being more a crime story than a detective one, I liked this. Retired contract killer discovers you can't get out.

Originally published at a denizen's entertainment. You can comment here or there.

Forever After by Jim Thompson

Originally published May 1960 in Shock Magazine; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

PG

Parental Guidance recommended for audiences under 15 years of age

(V)

Violence {PG}

 

Representations

Gender:

Viewpoint character is female, plotting murder of her husband because divorce wouldn't get her money.

Sex:

Heterosexual only. Potentially sex as tool of manipulation.

Race & Ethnicity:

Unmarked, presumed US-white.

Disability, Physical Diversity and Health:

Character is disabled, fatally injured by her own scheme.

 

Awards

None found

 

Notes

Self-thwarting crime, another tale of darkness.

Originally published at a denizen's entertainment. You can comment here or there.

The Merry, Merry Christmas by Evan Hunter

Originally published 1957 in Manhunt; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

M

Not recommended for persons under 15 years of age, but no legal restrictions

(D, L, V)

Drug Use {PG} {alcohol}

Coarse Language {M} {homophobic and misogynistic slurs used as calculated taunts}

Violence {M}

 

Representations

Gender:

No women present. Stereotyped aggressive protectiveness of men toward the good name of their mothers used as a weapon.

Sex:

One character accuses another of being queer in a hostile, suspicious response unwanted generosity. Homophobia used as tool of provocation and to express dislike.

Race & Ethnicity:

No mention; characters apparently white + US citizens.

Disability, Physical Diversity and Health:

Victim dismissed by witness, murderer, and officer on the scene as a nut.

 

Awards

None found.

 

Notes

Another story of the impersonal injustice of violence, found it more strikingly crafted than many of the others. An apparently perfect murder committed motivated by irritation with the victim, with speech used as the weapon as much as any physical violence.

Originally published at a denizen's entertainment. You can comment here or there.

A Piece of Ground by Helen Nielsen

Originally published 1957 in Manhunt; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

M (not recommended 15 years and under, no legal restriction)

(D, V)

Drug Use {G} {alcohol}

Violence {M}

 

Representations

Gender:

One woman as major character, implicitly presumed sex worker by the male lead; malevolent manipulator along with her partner in crime. Off-screen, the patient, hopeful wife.

Sex:

Heterosexuality only.

Race & Ethnicity:

Unmarked presumed white US only.

Disability, Physical Diversity and Health:

No mention

 

Awards

None found

 

Notes

Dreaded doing this one because I remembered it being so depressing the first time around. Makes me feel sick with upset for the protagonist being so taken advantage of.

Originally published at a denizen's entertainment. You can comment here or there.

So Pale, So Cold, So Fair by Leigh Brackett

Originally published July 1957 in Argosy; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

M

(D, L, V)

Drug References {M} {Alcohol - getting drunk for grief, Tobacco}

Coarse Language {PG}

Violence {M}

 

Representations

Gender:

Women as people. Viewpoint character is male, but it is friendship between women that delivers the final impetus to get the story going. Although a woman is the victim of the piece, she was not a passive one.

Sex:

Heterosexuality only; development of chemistry under pressure.

Race & Ethnicity:

All characters US white so far as could tell.

Disability, Physical Diversity and Health:

One character has strong facial scarring from an attempt to silence him.

 

Awards

None found.

 

Notes

I was relieved and excited to turn the page and see Leigh Brackett's name as she was a noted genre author (mainly of science fiction) , although I suspect these days she is mostly known for her work on the screenplay for The Empire Strikes Back. The story itself was a relieving return to the detective-style story I have been preferring, rather than crime fiction as depicting the grim darkness of humanity, crime without resolution or 'hero'. The puzzle, more than the grime in the soul.

 

Liked this one a lot, and the writing while rating I quoted parts to friends, delighting in the logical menace laid out so skilfully by Brackett.

Originally published at a denizen's entertainment. You can comment here or there.

Home by Gil Brewer

Originally published March 1956 in Accused; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

MA15+

(L, D, N, V)

Coarse Language {PG}

Drug References {M} {Alcohol - frequent public drunkenness, leading to menace}

Nudity {M}

Violence {MA}

 

Representations

Gender:

Women present as family members, agents of racism (indistinguishable alongside men), and as instigators of racial violence vindictively or to divert from apparent sexual shame.

Sex:

Only heterosexuality mentioned. One woman (partly self-) sexualised in a pitiably malevolent way.

Race & Ethnicity:

Protagonist is African American from a poor family. Story is driven by racial violence in 1950s USA and the difficulty of surviving same as a young black man. Story passes Johnson Test. Black characters portrayed as poor

Disability, Physical Diversity and Health:

None noticed.

 

Awards

None found

 

Notes

Yet another difficult story to read, for its tension and tragic inevitability. Guy goes off to study to be a doctor, comes back on vacation to a home he is no longer used to and has lost from disuse the skills to survive in.

Originally published at a denizen's entertainment. You can comment here or there.

The Screen Test of Mike Hammer by Mickey Spillane

Originally published July 1955 in Male; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

M

(D, V)

Drug Use (M) {Tobacco}

Violence (PG)

 

Representations

Gender:

Women simultaneously as infantilised possessions and dangerous manipulators.

Sex:

Only heterosexuality represented (brief story, but suffused with it)

Race & Ethnicity:

All characters unmarked US, presumed white.

Disability, Physical Diversity and Health:

'Crazy' people as murdering maniacs.

 

Awards

None found

 

Notes

This was very short and equally off-putting. Really brought to my attention the mistake I'd made in buying a Mike Hammer anthology - I'd got Mickey Spillane confused with Raymond Chandler. Only three pages long but oozing misogyny and one-dimensional macho heroics that would put an '80s action film to shame. Did not like, considering getting rid of the Mike Hammer collection unread.

Originally published at a denizen's entertainment. You can comment here or there.

Mama's Boy by David Alexander

Originally published May 1955 in Manhunt; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

MA15+

(D, L, V)

Drug Use {PG} {alcohol}

Coarse Language {M}

Violence {MA}

 

Representations

Gender:

Viewpoint character is intensely misogynistic and focused on distorted ideals of masculinity.

Sex:

Heterosexual appeal played up by the lead as means of making his living, modelling and conning or robbing women.

Race & Ethnicity:

No mention, consequently presuming whiteness.

Disability, Physical Diversity and Health:

Viewpoint character fixated on his body and taking care of it in a naive, grotesque way.

 

Awards

None found

 

Notes

Another upsetting story. Driven entirely by the viewpoint character's hatred of women, to the point of murder as a way of thrilling himself and proving his masculinity. All my sympathy and admiration lies with his victims. In the one case, her canny quick-wittedness that is his downfall, and in the other the futile fight she puts up. Quite upsetting, even to skim for getting this rating up.

Originally published at a denizen's entertainment. You can comment here or there.

Guilt-Edged Blonde by Ross Macdonald

Originally published January 1954 in Manhunt; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

M

(L, V, D)

Coarse Language {PG}

Violence {M}

Drug Use {PG}

 

Representations

Gender:

Two female characters. Implication that women can trade on attractiveness for personal gain. Plot driven by maternal concern. Bechdel fail despite mutual presence in a scene.

Sex:

Heterosexuality only, suggestion of sex used as currency.

Race & Ethnicity:

The only mention of people of colour: "A gang of Negro boys at loose ends went by in the street, hooting and whistling purposelessly." Characters unmarked, presumed white USAian.

Disability, Physical Diversity and Health:

No mention.

 

Awards

None found.

 

Notes

I was pleased to find this story in the collection, since I'd read a bit about Ross Macdonald's Archer stories and was looking forward to reading them, but this one was a bit disappointing. Still a pleasant change as the first detective-solving-a-crime story since 'Who Said I Was Dead?', which this collection helped solidify for me are what I prefer in crime fiction.

Originally published at a denizen's entertainment. You can comment here or there.

Black Pudding by David Goodis

Originally published December 1953 in Manhunt; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

MA15+

(V, S, D, L)

Strong violence {MA15+}

Sexual References {M - character discreetly describing sexual violence}

Drug References {MA15+ - opium and alcohol as coping mechanism; tobacco socially}

Minor Coarse Language {PG}

 

Representations

Gender:

Women's relationships, actions and desires framed largely around desirability to men. Two female characters, never in the same scene.

Sex:

Only heterosexuality referenced.

Race & Ethnicity:

Opium sourced from a Chinese dealer. All other characters unmarked presumed white.

Disability, Physical Diversity and Health:

A character disfigured by being thrown out a window (backstory).

 

Awards

None found

 

Notes

This was a sad sort of tale of people hurting others for selfish reasons, and vengeance forced by the fear of vengeance pushing a man's tormenters into not leaving him alone when he wants to start over. At least after all the blood there is the implication of hope and potential future happiness.

Originally published at a denizen's entertainment. You can comment here or there.

The Bobby-Soxer by Jonathan Craig

Originally published 1953 in Manhunt (short story collection); this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

R18+

(V, L, S)

Violence {M}

Sexual Violence {R18+} {any depiction of sexual violence gets this rating automatically}

Coarse Language {M}

Sexual References {PG}

 

Representations

Gender:

Two women present in story. Viewpoint character is seventeen, and revealed in twist ending to be a sex worker (i.e. we are meant to have the shocked realisation she wasn't the 'innocent' victim of attempted rape she appeared to be (even though she actually was)), pretending to be naively unaware of the interest she attracts from men; the other is part of the crowd gathered to condemn the attempted rapist, urging his death; no communication between them. Attempted rapist depicted as wild-eyed weirdo, visually differentiable from 'safe' men, other men so enraged by rape they crowd together to beat and kick him while helpless.

Sex:

Heterosexual-only, framed entirely in terms of power, purity and commodity.

Race & Ethnicity:

No characters marked. Presuming all white US citizens.

Disability, Physical Diversity and Health:

Apart from the from the would-be rapist looking "funny and wild-eyed", no mention.

 

Notes

This story reads like an MRA's paranoid fantasy. An apparently innocent girl, unaware of the lust she inspires, is assaulted by a stranger in an alley while out walking. Fortunately she screams, and an angry mob descends to begin beating the attempted rapist without a further word from her. The police request she come back with her parents to give a statement but - shock twist! - she continues on to her destination where we learn she is actually a sex worker. The editors even acknowledge the author's misogyny in the introduction as a running theme in his work (personally, I would have just not put the story in).

Originally published at a denizen's entertainment. You can comment here or there.

Three-Ten to Yuma by Elmore Leonard

Originally published March 1953 in Dime Western; this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

M

(V, D, L)

Some violence {M}

Drug use {PG} {tobacco}

Some coarse language {PG}

 

Representations

Gender:

All characters male; a wife and children of unspecified gender are mentioned for off-screen.

Sex:

Only implicit in the existence of the aforementioned marriage.

Race & Ethnicity:

One character references having got his start with the law tracking Apaches. All characters appearing in the story are unmarked US residents.

Disability, Physical Diversity and Health:

No mention.

Awards

None found.

Notes

I was quite surprised to see the title when I turned the page, but unlike the last one, I enjoyed this story a lot. Very nice build of tension throughout. Thinking I should take a look at the various film versions and see how they compare. Probably should put Elmore Leonard on my reading tour list.

Originally published at a denizen's entertainment. You can comment here or there.

Dock Walloper by Benjamin Appel

Originally published 1953 in Dock Walloper (short story collection); this edition 1995

Publisher: Oxford University Press

Collected in: Hard-Boiled: An Anthology of American Crime Stories (ed. Bill Pronzini & Jack Adrian)

 

PG

(L, S, D, V)

Coarse Language {PG}

Sexual References {PG}

Drug Use {PG} {alcohol}

Violence {PG}

 

Representations

Gender:

Only a couple of female characters, story told from perspective of one man, albeit in a third-person semi-omniscient way. One female character described thus as flaunting her looks to punish men generally for not marrying her.

Sex:

Nothing but heterosexuality mentioned.

Race & Ethnicity:

Gang leader is of Irish ethnicity. One character in the hierarchy is referred to by an anti-Italian slur when people are unhappy.

Disability, Physical Diversity and Health:

Some characters gain weight as a consequence of living a corrupt life of leisure. Otherwise no mention.

 

 

Notes

This one I have been putting off doing. I didn't like it, not because it is done badly (I don't think it is) but because it is upsetting. Guy gets out of prison, all he wants to do is go straight, work a job and not have trouble with anyone. But the connections that got him the job won't take no for an answer, so he gets pulled back in and, finally, trapped in a situation that just isn't going to end well.

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